Photo: Christine Hurley. Dyke Night was started in by Kristen Porter as a party at a local bar near her home to assist the underserved. Porter started the organization as a way to support her philanthropic efforts and goals, and the proceeds raised at events are donated to a variety of nonprofit and community organizations. Porter has collaborated and partnered with leaders to create safe spaces and awareness of issues in the LGBT community. Dyke Night is also an active supporter of Boston Pride. Porter may not have a passion for creating a bustling and popular lesbian nightlife scene, but these events are wildly popular.
Dyke Night Productions: Lesbian Event’s Charitable Giving, Community Building
Category:Lesbian pornographic film studios - Wikipedia
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Category:Lesbian pornographic film studios
Here, assembled into one comprehensive volume, is a rundown of the year's most intriguing gay, lesbian, and transgendered films, an illustrated guide that's Out, Outrageous, Provocative, and Proud. With reviews, photos, and commentaries on more than Gay and Lesbian films, each released during the previous 14 months, it gets sweaty with gay cowboys, gay Nazis, nude marines, ballsy detectives, hit men, porn stars, and Women in Love--with each other. The scent of lavender, the smell of testosterone, and the aroma of velvet. Instead, it's an annual running commentary on what's new and what's going on in gay filmmaking.
It's like somebody's just powdered me with fleas the entire time, I'm being irritated that they're not telling the truth. However, especially in Western culture, Hollywood, as the leader of all media industries, has had an incredible influence on every aspect of society over the last several decades - and this influence continues to gain power. Because of this cultural information that the spectatorship receives, humans ingest and replicate. It is extremely important to answer the question of who is in control of this communication, whether it is a dialogue, in which society actively and fairly influences the production of movies and whether the medium arises from the needs of Western culture and life; or, if, instead, it is the media and those that are in control of the creation, language, and production of these films which controls the ways in which American people look, think and feel about themselves. Moreover, it is important to examine how issues of identity are actually presented on screen and in which way this depiction shapes and misshapes the American society.