Public exhibition stories

But while it dominated headlines and polarised political debate, the lives and stories of individuals in the camp and on the move across Europe were often overlooked — and remain so to this day. It is both a record of a complex temporary space that no longer officially exists and an exploration of the individual stories and creativity of those who temporarily inhabited it, many of whom remain in and around Calais — some sleeping rough — and continue to face an uncertain future. Meanwhile, hundreds of thousands more individuals remain on the move, seeking new lives in the UK and elsewhere. Through powerful works and contributions by artists and photographers, refugees, volunteers and members of the public, migrants emerge from a nameless group into named individuals, each with a unique story and set of reasons for being in Calais. The camp, meanwhile, is revealed as an intricate and organised settlement that existed in some form for nearly 25 years, with ever-evolving sets of communities, challenges, tensions and opportunities. Join the conversation on Twitter using CalaisStories.
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Call me by my name: stories from Calais and beyond

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'What Were You Wearing?' Exhibition Spotlights Survivor's Stories - WOUB Public Media

Placed against a stark white background, the seemingly unrelated outfits are united for one reason: they are all replicas of what someone was wearing during a sexual assault. Together, they serve as part of an art exhibit aiming to question the harsh victim-blaming that often follows incidents of sexual violence. The What Were You Wearing? Accompanying each story is a display of clothing, gathered by event supervisors, that closely mirrors the outfit worn by the victim during the assault. The first installation was shown at the University of Arkansas in March The exhibit has been replicated many times since then, going viral at the University of Kansas.
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TheJakartaPost

We have made some changes to our site. If you are looking for our image archives and licencing service, please visit Magnum Pro. Magnum photographers discuss the significance of the city as their work is rolled out across the Paris metro in a huge public exhibition. For him, and others like him, visiting a city can be an alien and overwhelming experience.
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Like stories, exhibitions unfold — beyond the dramaturgic conceptual work — their own life. Exactly as a text writes itself to a certain degree in a way difficult to rationalise, new connections and unexpected layers of meaning come to exist during the making of an exhibition. Right in the middle a fantastic idea is born and directs the line of argumentation in a different direction. Suddenly a context becomes visible that was hidden at the beginning. And it is the objects that are responsible for this.
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